The processing is applied to the existing clip (which means that all events playing that clip will be affected). This setting determines what happens when you apply processing to a shared clip, that is, a clip that is used by more than one event in the project:Īn Options dialog appears, allowing you to select whether you want to create a new version of the clip or apply the processing to the existing clip.Ī new editing version of the clip is automatically created, and the processing is applied to that version (leaving the original clip unaffected). If this option is activated, and you perform offline processing on an audio range that contains regions, these will be removed. Remove Regions/Hitpoints on all Offline Processes This allows you to navigate to hitpoints of an audio file from within the Project window. If this option is activated, and you add an audio file to your project by recording or by importing, Cubase automatically detects its hitpoints.
This allows for compatibility with other products when exchanging audio files and avoids confusion if the source file contains no stereo or surround material, but poly-mono audio. Use the Split File Name Format pop-up menu to specify how the split files are named. Split channels/Split multi-channel files copies the files to the project’s audio folder and splits stereo or multi-channel audio files into a corresponding number of mono files – one for each channel. This setting determines what happens when importing an audio file into a project:Īn Import Options dialog opens when you import, allowing you to select whether you want to copy the file to the audio folder and/or convert it to the project settings.Īllows you to set the following standard actions:Ĭopy Files to Working Directory copies the files to the project’s audio folder before import.Ĭonvert and Copy to Project If Needed copies the files to the project’s audio folder before import and converts them if the files have a different sample rate or a lower resolution than the project settings. To move the start point of the fade out, position the mouse in the right half of the event. To move the end point of the fade in, position the mouse in the left half of the event. When you hold down Shift while moving the mouse wheel, the fade curves will be affected. If this option is activated, you can use the mouse wheel to move the event volume curve up or down. Use Mouse Wheel for Event Volume and Fades If this is not what you want, Treat Muted Audio Events like Deleted allows you to immediately play the obscured event when muting the top event. If you have 2 overlapping audio events in your project and you mute the top one (the event you hear during playback), playback of the other (obscured) event will still only start at the end of the overlapping section.
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